The rise of micro-creator studios in India: Are brands ready to buy creator IP?
Indian creators are no longer waiting for brands to cast them in campaigns
Indian creators are no longer waiting for brands to cast them in campaigns
Once upon a time on the internet, content creators were seen as low-budget fillers between ad breaks, easy, replaceable, and most importantly, brief. But the scroll-savvy generation didn’t just watch them. They stayed, binge-watched, commented, tagged, and eventually transformed creators into something traditional media couldn’t ignore: stars, storytellers, and now, studios.
We’ve officially entered the era of micro-creator studios in India, where content creators are building character IPs, narrative formats, full-blown production houses, and even community-driven universes. They’re not just posting reels and endorsing brands anymore. They’re writing, directing, producing, and most importantly, owning the intellectual property. In a world where attention is the most monetisable currency, these creators aren’t just cashing in on views. They’re building formats, franchises, and fanbases that keep coming back, regardless of the platform.
From Dolly Singh's indie film studio to Bhuvan Bam’s character universe, from Samay Raina’s viral comedy talent format to Srishti Garg’s lunch-table match-making movement, Indian creators are no longer waiting for brands to cast them in campaigns. They’re building content ecosystems where brands can rent space.
The question now isn’t “Will this creator post about our shampoo?” It’s “Can we buy into their world?”
So if you’re still thinking of creators as “collab” material, wake up. These folks are running production houses from their bedrooms, building IPs on Instagram, and making more repeatable, shareable content than your agency deck has ever seen.
Dolly Singh - Dollywood Filums
Dolly Singh didn’t just build characters, she built a studio. Her banner, Dollywood Filums, has quietly been making short-format stories like Train Late Hai, Karela, The Worst Breakup Ever!, and Nansar - Nani ke Gaon mein ek din. These aren’t sketchy sketch videos, they’re stylised mini-films with writing, direction, and acting largely helmed by Dolly herself. This transition from creator to creative producer signals how India’s earliest digital faces are taking control of storytelling with professional polish. It's no longer a YouTube upload, it’s a Dollywood Filums production.
Kusha Kapila - Beyond Billi Mausi
Kusha Kapila’s Billi Mausi isn't just a viral character, it’s a digital relic at this point. That over-the-top Delhi aunty defined an era of Instagram satire, and she built an entire persona-based IP around it. Fast forward to 2025, and Kusha has stepped into storytelling with Vyarth, a short film she co-produced and acted in. It’s about the emotional and professional exhaustion of being boxed into roles, something deeply meta coming from a woman who's played dozens of characters online. Vyarth marks a new chapter: one where the actor becomes producer and the format becomes film.
Bhuvan Bam - BB Ki Vines Productions & Dhindora
Bhuvan Bam has been a pioneer in building creator IP in India. With BB Ki Vines Productions, he didn’t just play multiple characters, he built a whole universe. His web series Dhindora, where he essayed nearly every character, became a cultural moment. It racked up hundreds of millions of views and redefined what “solo creator content” could look like. Today, he's going mainstream, Karan Johar’s Dharma Productions is launching Bhuvan in a lead role with Kuku Ki Kundali. That’s creator IP turning into cinematic currency.
Ashish Chanchlani - ACV Studios & Ekaki
Ashish Chanchlani went from slapstick sketches to his very own production house, ACV Studios. Under this label, he’s releasing Ekaki, a mystery-horror web series that he has directed, written, acted in, and produced himself. It’s a cinematic leap, combining his digital legacy with a genre-driven narrative. Ashish isn’t just collaborating with brands anymore, he’s creating spaces for them to organically integrate into larger storylines. Ekaki represents the kind of control creators now want: full-stack ownership from concept to credits.
Samay Raina - India’s Got Latent
Comedian and streamer Samay Raina turned a simple idea into a full-blown creator IP with India’s Got Latent (IGL), a YouTube-based talent show that spotlighted emerging comics, writers, and performers. It wasn’t just viral, it was profitable and platform-building. Breakout names like Sharon Verma and Naman Arora (who now collaborates on podcast-parody formats and has featured in ads) got their big digital break through IGL. Though the show is on pause following court scrutiny, Samay has hinted at reviving the IP post-tour. Brands take note: this wasn’t just content, it was community.
Srishti Garg - Pookie Mandi & Pookie Clinic
Srishti Garg is building a niche IP empire with her quirky, Gen Z-coded world of Pookie Mandi, a content universe where heartbreak meets humour, and soulmates meet over Swiggy-sponsored lunches. Her web-format show Pookie Clinic diagnoses fictional “syndromes” like “Main Character Syndrome” and “Lucky Girl Syndrome,” blending satire, therapy, and absurdity in creator-hosted challenges. She recently hosted an IRL experience in Mumbai under Swiggy Scenes, where followers met each other over games and meals. It's part content, part community, part matchmaking, 100% creator-owned IP.
Yashraj Mukhate - Soundboard Studio IP
When Yashraj Mukhate remixed “Rasode Mein Kaun Tha,” he didn’t just go viral, he established a sonic signature. His musical remixes and dialogue-beat combos are now a recognisable creator IP. Whether it's Netflix (Kota Factory), Cred, or Amazon Prime Video, or even designing the national Hockey theme for the Paris Olympics (!!!!!), brands approach him to create bespoke soundscapes that are almost always guaranteed to trend. He’s not just a composer; he’s a one-man jingle studio with meme virality baked in.
Ankush Bahuguna - Wing It
Ankush Bahuguna wears eyeliner and wit with equal flair. His studio-style content under “Wing It” brings beauty, humour, and storytelling into one repeatable format. You get creator IP with a distinct brand tone. Brands like Lakmé, Dove, and Nykaa don’t just want a reel, they want into Ankush’s universe.
Raj Shamani - Figuring Out & House of X
Raj Shamani isn’t just sharing hustle advice, he’s packaging it. With his podcast Figuring Out, he’s hosted India’s top founders and built a narrative brand around money, motivation, and mistakes. He also co-founded House of X, a startup enabling other creators to launch their own D2C brands. Raj's content empire is part education, part execution, and all IP-owned. He’s not just selling brand space, he’s selling business ideas and branded belief systems.
We’re watching India’s creator economy graduate from virality to value. These micro-creator studios are owning characters, formats, shows, and even experiences. The audience already buys into their worlds, even some brands too. The real question is: are all brands ready to do the same?